March

Istanbul Galleries at Art Dubai and Art Basel Hong Kong

on Thursday, 23 March 2017. Posted in ---2017--- , March

Related Article: MOCAK acquires works by Gülin Hayat Topdemir and Guido Casaretto


Zilberman at Art Dubai
Installation view of Zilberman Gallery's booth at Art Dubai 2017

Turkish galleries Galeri Zilberman, SANATORIUM and Galerist participated at this year’s edition of Art Dubai taking place from 15-18 March. Sanatorium showed works by Ahmet Doğu İpek and Ali İbrahim Öcal, while Zilberman Gallery participated with Burçak Bingöl, Antonio Cosentino, Aisha Khalid and Walid Siti. Galerist exhibited works by Rasim Aksan, Semiha Berksoy, Deniz Gul, İdil İlkin, Seza Paker, Ayça Telgeren, TUNCA, Merve Unsal, Elif Uras, Burcu Yagcioglu and Nil Yalter.

Sanatorium at Art Dubai
Installation view of Sanatorium's booth at Art Dubai 2017

Istanbul-based galleries Dirimart and Pi Artworks participated in Art Basel Hong Kong from 23-25 March 2017. Dirimart showed works by Fahrelnissa Zeid, Sarkis, Ayşe Erkmen, Nuri Bilge Ceylan, Haluk Akakçe, Mustafa Hulusi, Ebru Uygun, Özlem Günyol & Mustafa Kunt and Güçlü Öztekin while Pi Artworks brought works by Susan Hefuna, Maude Maris, Volkan Aslan, Yuşa Yalçıntaş and Gülay Semercioğlu.

Dirimart at Art Basel Hong Kong
Installation view of Dirimart's booth at Art Basel Hong Kong 2017

Project for Turkey's Pavilion at the 57th Venice Biennial Announced

on Thursday, 23 March 2017. Posted in ---2017--- , March

Related Article: Jake & Dinos Chapman at ARTER in Istanbul


In a press conference on 27 February acclaimed conceptual artist Cevdet Erek announced the concept of ÇIN - his project for Turkey's Pavilion at the 57th International Art Exhibition - La Biennale di Venezia.

Cevdet Erek at the Press Conference
Cevdet Erek at the Press Conference for Turkey's Pavilion at the 57th Venice Biennial, Photo: Selcuk Polat, Courtesy of IKSV

At the conference, Cevdet Erek illustrated some methods and concepts that he has experimented with in his series of works since the end of the 2000’s, such as 'Room of Rhythms' and 'Rulers and Rhythms Studies and Sound Ornamentations' among others, with sounds, images and drawings he made during his presentation.

ÇIN, which is created as a site-specific work for the Pavilion of Turkey at this year's edition of the Biennale di Venezia, will be developed during the process and be shaped together with the venue. In his presentation, Cevdet Erek gave examples of the studies conducted for the preparation of the work ÇIN, shared through various media.

CIN Logo

The artist stated:

"Instead of trying to describe a project that is meant to be experienced on-site, and is still in the phase of formation, I propose to imagine a scene together as an exercise: There is a fenced ruin in the distance with a guard inside of it who should not leave during the day. The guard, while walking in silence, notices a visitor who carefully peeks around and the concert of thousands of crickets thanks to the visitor. This duo, who try to talk to each other at a distance, briefly cry out at the same time from the ear pain caused by a violent noise that occurs out of the blue. Then, at night, in another place as the officer tries to suppress the ringing in her ears by opening the window two fingerbreadths and the noise a notch, enters an alarm sound: ‘viyuviyuviyuviyu’. Then she tries to imagine again in the same order by going back to the beginning.”

Cevdet Erek, who talked about the working process in Istanbul and accompanying short trips, introduced the core project team and stated that the project would allow for new participants and collaborations. The project team includes project coordinator Yelin Bilgin, architect and Gürden Gür, architect, as well as Elif Tunçel, art historian, Ayşe Erek and visual identity designer Yetkin Başarır. A new publication accompanies the exhibition and will be available at the launch of the Pavilion of Turkey at the biennial

The Pavilion of Turkey will be located in the Arsenale at Sale d’Armi where the exhibition takes place. The long-term venue was secured by İKSV for the duration of 20 years from 2014 to 2034 and supported by generous contributions of 21 supporters. The exhibition in the Pavilion of Turkey at La Biennale di Venezia is sponsored by Fiat, and realised with the contribution of Ministry of Culture and Tourism of the Republic of Turkey, under the auspices of the Ministry of Foreign Affairs of the Republic of Turkey and the production support of SAHA Association.

During and after studying architecture at Mimar Sinan University of Fine Arts, Cevdet Erek (b. Istanbul, 1974) worked at various architectural practices as well as in the music band Nekropsi. Upon finishing his MA in Sound Engineering & Design at İTÜ MIAM Center for Advanced Studies in Music, he was an artist in residence at Rijksakademie in Amsterdam from 2005-2006. Erek’s installations and performances were shown at dOCUMENTA (13) (2012); Istanbul Biennial (2003, 2013 and 2015), Sydney Biennial (2016), Sharjah Biennial (2013), Stedelijk Museum (2014), MAXXI (2014 and 2015), Istanbul Modern (2014, 2015 and 2016), Arter (2011), SALT (2012 ve 2015) among others. Major solo exhibitions of his work include 'Alt Üst' (2014) at Spike Island, Bristol and 'Week' at Kunsthalle Basel (2012). Erek published books such as 'SSS – Shore Scene Soundtrack' (2008, BAS), 'Room of Rhythms' (2012, Walther König) and 'Less Empty Maybe” (2015, Revolver/Artist). The artist received the Nam June June Paik Media Art Prize given by Kunststiftung NRW in 2012 for 'SSS – Shore Scene Soundtrack'. His most recent sound/music works include the sound and music direction for Kaan Müjdeci's feature length film 'Sivas' (71st Venice Film Festival - Special Jury Prize, 2014), music and the sound co-design for Emin Alper’s feature length film 'Frenzy' (72nd Venice Film Festival - Special Jury Prize, 2015). Since 2011 Cevdet Erek teaches at ITU and lives in Istanbul.

Jake & Dinos Chapman at ARTER in Istanbul

on Thursday, 23 March 2017. Posted in ---2017--- , March

Related Article: Istanbul Galleries at Art Dubai and Art Basel Hong Kong


On view from 10 February to 7 May 2017, Arter presents the first solo exhibition of Jake & Dinos Chapman in Turkey titled 'In the Realm of the Senseless'. Curated by Nick Hackworth, the exhibition brings together a number of works from iconic series including 'Hell', 'The Chapman Family Collection' and 'One Day You Will No Longer Be Loved', alongside new and rarely seen works. The show presents an overview of the Chapmans' virulently pessimistic art and thought. Deploying humour and a perverse semiotics to undercut and satirise many of the unthinking beliefs that animate contemporary culture, the Chapmans' is amongst the most challenging of contemporary art practices.

Jake and Dinos Chapman, Unhappy Feet, 2010 at Arter
Jake and Dinos Chapman, Unhappy Feet, 2010 Fibreglass, plastic and mixed media in steel vitrine 216 x 171 x 171 cm © Jake and Dinos Chapman Courtesy of the artists and White Cube(detail)

The exhibition begins on the ground floor in spectacular fashion by uniting more works than have ever been shown together before from the Hell series, including the major piece, 'The Sum of All Evil'. Absurd, surreal and painstakingly detailed, the dioramas comprise of thousands of model Nazi soldiers engaged in scenes of orgiastic violence alongside other figures familiar from the Chapmans' visual universe, such as Hitler and Ronald McDonald. Since 2000 when the original 'Hell' work was completed (it subsequently was burnt in a fire in a London art storage facility), the series has been controversial, being serially misread both as profoundly engaged war art and as a disgraceful trivialization of violence. As the artists point out it takes a certain degree of hysteria and myopia to attach such ponderous meanings to the work itself. Two other large works from the series, 'Unhappy Feet' and 'Altered Towers', complete the floor.

Jake and Dinos Chapman at Arter
Exhibition view of 'In the Realm of the Senseless', Arter, 2017. Photo: exhibist

Arter's first floor amounts to a pastiche of the idea of retrospective shows with its centrepiece 'SHITROSPECTIVE' and the duo's first ever neon work, a new iteration of the brothers' first collaborative piece 'We Are Artists', made in 1991. Demonstrating the artists' stated desire to create work of 'zero cultural value' and their tactic of repeatedly recycling the same content, 'SHITROSPECTIVE' comprises of miniature versions of key works from their career, 'Fuckfaces', 'Sex', 'Übermensch' and 'Little Death Machine' – replicated in cardboard and mounted on pedestals. Known as one of the iconic works of the Chapmans, 'Insult to Injury' from the series of 'The Disasters of War' is hosted on the first floor of the exhibition. The show also includes a collection of archival works from 1971–2013, including some rare Chapman juvenilia.

Taking its cue from the Chapmans' recent show 'Come and See' at The Serpentine Gallery, London, the curation of the top floor of the exhibition takes aim at the idealised 'white cube' gallery space and elegant, well-mannered exhibitions. Resembling a show put together from a ransacked storage room the floor will be chaotic and over-stuffed, filled with myriad 2-D and sculptural works.

MOCAK acquires works by Gülin Hayat Topdemir and Guido Casaretto

on Thursday, 23 March 2017. Posted in ---2017--- , March

Related Article: Inci Eviner receives the 2017 Sharjah Biennial Prize


Gülin Hayat Topdemir, Bride
Gülin Hayat Topdemir, Bride, 2015, oil on canvas, 157 x 99,8 cm. Courtesy the artist and Zilberman Gallery

Gülin Hayat Topdemir’s work 'Bride' (2015) has been acquired by Museum of Contemporary Art in Kraków, Poland.

Gülin Hayat Topdemir’s paintings delve into the subconscious to narrate the dark side of human nature, which is also reflected in her choice of colors and technique. By using the technique of chiaroscuro, she masterfully constructs an atmosphere in which her stories unravel. In her recent body of work, the artist-model assumes different roles, suggesting alternative possibilities for the constructed self.

Gülin Hayat Topdemir (1976, Istanbul) lives and works in Istanbul. She completed her undergraduate and graduate degrees at Mimar Sinan University, Faculty of Fine Arts, Department of Painting. Her solo solo shows are: Salon Rouge (Zilberman Gallery, 2015), Black Box (Zilberman Gallery, 2013), Every Young Girl’s Dream? (Zilberman Gallery (previously as Cda-Projects), Istanbul, 2010), and Complexion (Zilberman Gallery (previously as Cda-Projects), Istanbul, 2008). Some of the group shows she participated in: Figure Out: Turkish Contemporary Art (Art Sawa, Dubai, 2012), Group Exhibition (Casa Dell’Arte, Bodrum, 2009; Istanbul, 2008), Kooperatif (Karşı Sanat, Istanbul, 2002) and Todays Artists Exhibition (Atatürk Cultural Center, Istanbul, 1997). Recipient of Nuri Iyem Painting Award-Selection Committee Special Price in 2007, her works are part of collection at 21C Museum (Kentucky, ABD) and private collections in Europe, Middle East and Turkey.

Guido Casaretto, Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture
Guido Casaretto, Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture, 2015, charcoal/resin sculpture, Measurement: 1: 50 x 64 x 31 cm; 2: 49 x 63,5 x 36 cm. Courtesy the artist and Zilberman Gallery

Guido Casaretto’s work 'Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture' (2015) has been acquired by Museum of Contemporary Art in Kraków, Poland.

Dealing with ways of perceiving nature and reproducing it with digital means, Casaretto focuses on the phenomenon of sensation. Engaged with electronic information, various materials and art-historical references, his works overlap the different sensations with regard to the physical quality of the material and the types of perception within the concept of art history.

The interaction triggered by the physical approach goes deep down into the multidimensional sensation through the materials used by the artist such as concrete, skin, soil and epoxy. The former works of Casaretto, comprised of realistic manifestation of nature created in digital environment, are reversed by these new series of works through the manual intervention of the artist to the machine production. The works define the uniqueness of the handmade and invite the viewers to experience the sensation.

Guido Casaretto (1981) lives and works in Istanbul. One of the founders of Sanatorium, some of his solo shows are: Synesthesia (Zilberman Gallery, 2015), Extrasystemic Correlations (Zilberman Gallery, 2012), Default (Sanatorium, Istanbul, 2011); and some of his group shows are: Urban Justice (CerModern, Ankara, 2015), Venice Biennial Italian Pavillion (Venice, 2011), and Teatro Comunale (Italy, 2000). His works are included in many important private collections in Europe and Middle East.

Inci Eviner receives the 2017 Sharjah Biennial Prize

on Thursday, 23 March 2017. Posted in ---2017--- , March

Related Article: Project for Turkey's Pavilion at the 57th Venice Biennial Announced


Inci Eviner receiving the 2017 Sharjah Biennial Prize
Inci Eviner receiving the 2017 Sharjah Biennial Prize

Sharjah Art Foundation announced the 2017 Sharjah Biennial Prize recipients on 10 March during the opening night of Sharjah Biennial 13: Tamawuj. The recipients of this year’s prize were İnci Eviner, Uriel Orlow, Dineo Seshee Bopape and Walid Siti. An honourary mention was awarded to the late artist Ali Jabri.

This year's biennial features two of Eviner's videos: Beuys Underground, a new work commissioned by the biennial, and Runaway Girls (2015).

İnci Eviner’s large body of work ranges from drawings and video to performative and collaborative practices. In her works, she explores politics of desire, space, subjectivity and its potentiality. As an artist, she is aware of the traumas we live with that demand a new kind of listening and witnessing. She follows the current practices of power on the female body and researches outside of the given identity that is in a continuous state of enactment.

The SB13 Prize jurors were Adriano Pedrosa, Artistic Director of Museu de Arte de São Paulo Assis Chateaubriand, Brazil; N'Goné Fall, independent curator and cofounder of GawLab Collective Dakar and Dr Youssef Aidabi, Advisor at the Dr Sultan Al Qasimi Centre for Gulf Studies.

The Sharjah Biennial Prize was established by Sharjah Biennial in 1993 and is now awarded by Sharjah Art Foundation. The honoured recipients are selected by a distinguished jury appointed by SAF. The Sharjah Biennial Prize is given upon the jury’s sole discretion and can be granted to any number of artists.