Gülin Hayat Topdemir, Bride, 2015, oil on canvas, 157 x 99,8 cm. Courtesy the artist and Zilberman Gallery
Gülin Hayat Topdemir’s work 'Bride' (2015) has been acquired by Museum of Contemporary Art in Kraków, Poland.
Gülin Hayat Topdemir’s paintings delve into the subconscious to narrate the dark side of human nature, which is also reflected in her choice of colors and technique. By using the technique of chiaroscuro, she masterfully constructs an atmosphere in which her stories unravel. In her recent body of work, the artist-model assumes different roles, suggesting alternative possibilities for the constructed self.
Gülin Hayat Topdemir (1976, Istanbul) lives and works in Istanbul. She completed her undergraduate and graduate degrees at Mimar Sinan University, Faculty of Fine Arts, Department of Painting. Her solo solo shows are: Salon Rouge (Zilberman Gallery, 2015), Black Box (Zilberman Gallery, 2013), Every Young Girl’s Dream? (Zilberman Gallery (previously as Cda-Projects), Istanbul, 2010), and Complexion (Zilberman Gallery (previously as Cda-Projects), Istanbul, 2008). Some of the group shows she participated in: Figure Out: Turkish Contemporary Art (Art Sawa, Dubai, 2012), Group Exhibition (Casa Dell’Arte, Bodrum, 2009; Istanbul, 2008), Kooperatif (Karşı Sanat, Istanbul, 2002) and Todays Artists Exhibition (Atatürk Cultural Center, Istanbul, 1997). Recipient of Nuri Iyem Painting Award-Selection Committee Special Price in 2007, her works are part of collection at 21C Museum (Kentucky, ABD) and private collections in Europe, Middle East and Turkey.
Guido Casaretto, Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture, 2015, charcoal/resin sculpture,
Measurement: 1: 50 x 64 x 31 cm; 2: 49 x 63,5 x 36 cm. Courtesy the artist and Zilberman Gallery
Guido Casaretto’s work 'Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture' (2015) has been acquired by Museum of Contemporary Art in Kraków, Poland.
Dealing with ways of perceiving nature and reproducing it with digital means, Casaretto focuses on the phenomenon of sensation. Engaged with electronic information, various materials and art-historical references, his works overlap the different sensations with regard to the physical quality of the material and the types of perception within the concept of art history.
The interaction triggered by the physical approach goes deep down into the multidimensional sensation through the materials used by the artist such as concrete, skin, soil and epoxy. The former works of Casaretto, comprised of realistic manifestation of nature created in digital environment, are reversed by these new series of works through the manual intervention of the artist to the machine production. The works define the uniqueness of the handmade and invite the viewers to experience the sensation.
Guido Casaretto (1981) lives and works in Istanbul. One of the founders of Sanatorium, some of his solo shows are: Synesthesia (Zilberman Gallery, 2015), Extrasystemic Correlations (Zilberman Gallery, 2012), Default (Sanatorium, Istanbul, 2011); and some of his group shows are: Urban Justice (CerModern, Ankara, 2015), Venice Biennial Italian Pavillion (Venice, 2011), and Teatro Comunale (Italy, 2000). His works are included in many important private collections in Europe and Middle East.