Daire Gallery reopens in Cihangir

on Saturday, 02 September 2017. Posted in ---2017--- , October

Related Article: Istanbul Galleries move to joint building


Daire Gallery Cihangir
Daire Gallery, Simsirci Sokak 11/1, Cihangir, Istanbul


Daire Gallery is an open art space, which was established as an initiative in order to support contemporary and independent artworks in 2008 and closed its physical Tophane space in 2016. They opened the new season in their new location in Cihangir in October 2017 with the exhibition titled 'Floating Tactics After a Sunken Island' including works by Hera Büyüktaşçıyan, Balca Ergener, Nazlı Gürlek, Sibel Horada, Evrim Kavcar, Didem Özbek, Yasemin Özcan, İz Öztat, Ülgen Semerci, Julie Upmeyer and Dilek Winchester running until 11 November 2017.

Istanbul Modern moves to temporary location

on Monday, 05 March 2018. Posted in ---2018--- , March

Related Article: Erdal Inci at Times Square


Istanbul Modern moves to contemporary location
Union Française Building, Meşrutiyet Caddesi, Istanbul, photo: www.partners.com.tr


Turkey’s first museum of modern and contemporary art moved to its temporary space on 18 March 2018. To make way for the construction of the new museum building, they will close the doors of their current building Antrepo #4, and begin their move to the historic Union Française building in Beyoğlu. The space is expected to open to the public in May.

According to Hurriyet Daily News, Renzo Piano’s architecture firm, Renzo Piano Building Workshop, was chosen to design Istanbul Modern’s new building, which will be constructed over the next three years in the center of the Galata Port development project, a $1.2 billion initiative that aims to transform the Galata Port area into a tourist destination.

The old Union Française building on Meşrutiyet Caddesi in Istanbul’s Beyoğlu district was built by Alexandre Vallauri in 1896. It was projected and built for a French colony which had become an important group in civil life in Istanbul till the end of 19th century. The building faces two roads and is located between Meşrutiyet Caddesi at the front and Minare Sokak at the back. Vallauri transversely divided the lot into three parts, and designed the middle part as a big space, and two other parts on the sides as meeting rooms, library, and office function areas.

Funds for the Istanbul Modern’s new building are being provided by the institution’s founding sponsor, the Eczacıbaşı Group, as well as a consortium behind the redevelopment project. Doğuş Group and Bilgili Holding are also backing the new facility.

Istanbul Modern moves to contemporary location
Istanbul Modern, Antrepo #4, Karaköy, Istanbul

Maxxi Museum hosts major survey of Contemporary Art from Turkey

on Tuesday, 10 November 2015. Posted in ---2015--- , November

Related Article: Concept of 3rd Istanbul Design Biennial announced


The show 'Istanbul: Passion, Joy, Fury', which runs from 11 December 2015 until 3 May 2016, 
is part of MAXXI’s exhibition cycle focusing on the cultural realities of the Mediterranean and the relationships between
the Middle East and Europe. It is the final stage of the project’s three phases, which began with a series of meetings and workshops led by curators, artists, historians and architects in both Rome and Istanbul. The results of this period of research — to be presented on a website in conjunction with the exhibition — formed the basis for the display, which aims to present Istanbul’s complicated and dynamic character beginning with an outline of its current cultural status and tracing
back to its historical roots.
As always, the museum aims for an interdisciplinary approach; it will include works from various media, as well as foster an active exchange amongst the artistic and intellectual communities of Turkey and Europe.

Istanbul is an interesting case study. The city has undergone many intense social and cultural upheavals, which came to a climax with the evolving protest movement in 2013 and triggered a climate of social change involving members of the artistic community, as well as intellectuals and local youths. Additionally,
the city is rapidly expanding and developing, which creates space for various new local and international projects. The gezi Park protests of
2013 will serve as the starting point for the exhibition, which evolves around five major themes: ‘Urban Changes’ with a special focus on gentrification, ecology and self-organization; ‘Political conflicts and resistance’ seen through the eyes of independent thinkers reflecting on justice, violence or gender issues; ‘Innovative Production Models’ tied to consumerism and the challenges of the working
class; ‘geopolitical Urgencies’ dealing with the pressing issue of minorities and refugees; and finally ‘Hope’, seen through new socio-political solutions and strategies, along with artistic expressions of joy and growth.

The invited artists and architects: Hamra Abbas, Can Altay & Jeremiah Day, Halil Altındere, Emrah Altınok, Architecture For All (Herkes İçin Mimarlık), Volkan Aslan, Fikret Atay, Atelier Istanbul: Arnavutköy, Vahap Avşar, İmre Azem & Gaye Günay, Osman Bozkurt, Angelika Brudniak & Cynthia Madansky, Hera Büyüktaşçıyan, Antonio Cosentino, Burak Delier, Cem Dinlenmiş, Cevdet Erek, İnci Eviner, Extrastruggle, Nilbar Güreş, Ha Za Vu Zu, Emre Hüner, Ali Kazma, Sinan Logie & Yoann Morvan, Networks of Dispossession, Nejla Osseiran, Ceren Oykut, Pınar Öğrenci, Ahmet Öğüt, Didem Özbek, Şener Özmen, PATTU, Didem Pekün, Zeyno Pekünlü, Mario Rizzi, Sarkis, SO?, Superpool, ŞANALarc, Ali Taptık, Serkan Taycan, Cengiz Tekin, Güneş Terkol, Nasan Tur.

Hera Buyuktasciyan at Maxxi Museum
HERA BUYUKTASCIYAN, The Dock, detail, wood, mechanism, installation view at Galeri Mana, Istanbul 2014

Vahap Avsar at Maxxi Museum
VAHAP AVSAR, Road to Arguvan, video still, 2013

Gunes Terkol at Maxxi Museum
GUNES TERKOL, Against the Current, Embroidery on fabric, 200x300 cm, 2013

Cengiz Çekil, key figure of Contemporary Art in Turkey, dies at 70

on Tuesday, 10 November 2015. Posted in ---2015--- , November

Related Article: Maxxi Museum hosts major survey of Contemporary Art from Turkey


At the age of 70, Cengiz Cekil passed away. The artist will be remembered for his valuable contributions to the contemporary art. We extend our sincere condolences to his family and the whole art scene.

After receiving his BFA from the Gazi Institute in Ankara, Cengiz Cekil (b. 1945, Bor) continued his studies in Paris. He returned to Turkey in 1976 and got his MFA in Sculpture from Ege University in Izmir. Searching for new visual and formal definitions that could correspond to the dramatic social transformations of the 1970s and 1980s, Cekil became one of the key figures of contemporary art in Turkey. He distanced himself from the aesthetic conventions of academic conservatism of that time and instead made use of cheap everyday materials, such as stationery, hardware items, construction materials, trash and newspapers. His early artistic production mostly reflects the political tensions and dramatic social transformations preceding the coup d’état in 1980. In 1978, Çekil moved from İstanbul to work at the newly founded Faculty of Fine Arts at Ege University in İzmir. The photographic series Visual Tracks (1979) documents the artist's daily journey to work.

His first solo exhibition at Rampa was held in 2010. Curated by Vasıf Kortun, the project comprised works produced between 1974 and 2010.

Selected group exhibitions of the artist include 4th Istanbul Biennial, 1995; Manifesta 5, San Sebastian, Spain, 2004; 11th International İstanbul Biennial, İstanbul, Turkey, 2009; I’m Still Alive: Politics and Everyday Life in Contemporary Drawing MoMA, 2011; NEWTOPIA: The State of Human Rights, Mechelen, Belgium, 2012; Istanbul Eindhoven-SALTVanAbbe: 68-89, SALT, Istanbul, 2012 and Signs Taken in Wonder: Searching for Contemporary Istanbul, MAK Vienna, 2013.

Cengiz Cekil, Rampa Gallery Istanbul
Cengiz Cekil, Courtesy Rampa Gallery Istanbul

Cengiz Cekil, Towards Childhood, Since Childhood, 1974
Cengiz Cekil, Towards Childhood, Since Childhood, 1974 Coca-cola bottles, triple battery (4,5 V), string, tree branch, bulb, cable, electric tape, 34 x 10 x 10 cm. Courtesy Rampa Gallery Istanbul

Cengiz Cekil, Diary 1976
Cengiz Cekil, Diary, 1976, Seal print on diary, and box 14 × 20.5 cm. Courtesy Rampa Gallery Istanbul

Simply titled 'Günce', or 'Diary', Çekil’s work, which was acquired by MoMA in 2011, is a notebook in which Çekil stamped “Bugün de yaşıyorum” (I am still alive today), along with the date, for two months in 1976. The work, a response to the increasing political tension in Turkey between rightists and leftists during the time it was created, also stands as a reference to artists who were feeling trapped in a period when terrorism almost became part of daily life.

Cevdet Erek to represent Turkey at 57th Venice Biennial

on Tuesday, 22 March 2016. Posted in May, ---2016---

Related Article: Elmgreen&Dragset to Curate 15th Istanbul Biennial


A project by artist Cevdet Erek will be presented at the 57th Venice Biennial’s Pavilion of Turkey from 13 May - 26 November 2017.

Cevdet Erek’s installations and performances that focus on sound, space and rhythm were shown in dOCUMENTA (13) (2012), Istanbul Biennial (2003, 2013 and 2015), Sydney Biennial (2016), Sharjah Biennial (2013), Stedelijk Museum (2014), MAXXI (2014 and 2015), Istanbul Modern (2014, 2015 and 2016), Arter (2011), SALT (2012 and 2015) among others. Major solo exhibitions of his work were organised by Spike Island in Bristol (2014) and Kunsthalle Basel (2012). His published books are SSS – Shore Scene Soundtrack (2008, BAS), Room of Rhythms 1 (2012, Walther König) and Less Empty Maybe (2015, Revolver/Artist). His SSS – Shore Scene Soundtrack was the recipient of Nam June Paik Award given by Kunststiftung NRW (2012).

Cevdet Erek studied Architecture at Mimar Sinan University. He has been a member of the music band Nekropsi. He received his graduate degree in Sound Engineering & Design from Istanbul Technical University - MIAM (Center for Advanced Studies in Music). He was an artist in residence at Rijksakademie in Amsterdam in 2005-2006. He currently lives in Istanbul and continues to work at Istanbul Technical University.

The Advisory Board consists of artist Ali Kazma, curator at Arter, Başak Doğa Temür; Suna and İnan Kıraç Foundation Culture and Art Enterprises General Manager Özalp Birol, curator and Art Advisor at Istanbul Modern Museum Paolo Colombo, and Prof. Dr. Zeynep İnankur from Mimar Sinan Fine Arts University, Department of Western and Contemporary Art.

Cevdet Erek
Cevdet Erek

Galleries from Turkey at viennacontemporary 2016

on Wednesday, 10 August 2016. Posted in ---2016---, August

Related Article: Turkey's Concept for London Design Biennial Revealed


Turkish galleries Galeri Zilberman and SANATORIUM are going to be present at this year’s edition of viennacontemporary taking place from 22-25 September. Sanatorium will bring works by Sevil Tunaboylu, Erol Eskici and Yağız Özgen, while Zilberman Gallery will participating with Alpin Arda Bağcık, Guido Casaretto, Antonio Cosentino, Ahmet Elhan, Walid Siti and Eşref Yıldırım.

Walid Siti, Deconstructed Pyramid I, 2013
Walid Siti, Deconstructed Pyramid I, 2013, straw, wood and acrylic on MDF, 59x59x37 cm. Zilberman Gallery Istanbul/Berlin

Following the success of the first edition of viennacontemporary in 2015 in the spectacular ambience of the Marx Halle, the largest art fair in the region will once again convene more than 100 Austrian, Eastern European, and international galleries in a showcase of emerging and established contemporary art. The presence of important international collectors and the continuously growing reputation of viennacontemporary have encouraged many galleries to participate in Vienna’s art fair once again in 2016. Moreover, new young and exciting galleries from Austria, the focus regions, and the Western hemisphere have also chosen to join the fair.

Eşref Yıldırım, Nezihe Muhiddin, 2014
Eşref Yıldırım, Nezihe Muhiddin, 2014, mixed media on canvas, 194x148 cm. Zilberman Gallery Istanbul/Berlin

Under the artistic direction of Christina Steinbrecher-Pfandt and executive management of Renger van den Heuvel, viennacontemporary stands for continuity and a high-caliber exhibition program. More and more art collectors and experts are making their way to Vienna, which has established itself – not least thanks to the success of viennacontemporary – as an international marketplace for contemporary art in both the domestic and international art scenes.

Following the focus countries of the past years– Georgia, Kazakhstan, Ukraine, and Belarus (2012), Georgia and Poland (2013), Azerbaijan (2014), and Bulgaria (2015), this year’s showcase explores a region in Southeastern Europe: ex-Yugoslavia and Albania. Focus: Ex-Yugoslavia and Albania is curated by the Albanian curator and writer Adela Demetja.


Walid Siti, Deconstructed Pyramid I, 2013
Yağız Özgen, Water Lilies (284 Stripes), 2016, acrylic on canvas, 180x142cm. Sanatorium Gallery Istanbul. Photo: CHROMA

Jake & Dinos Chapman at ARTER in Istanbul

on Thursday, 23 March 2017. Posted in ---2017--- , March

Related Article: Istanbul Galleries at Art Dubai and Art Basel Hong Kong


On view from 10 February to 7 May 2017, Arter presents the first solo exhibition of Jake & Dinos Chapman in Turkey titled 'In the Realm of the Senseless'. Curated by Nick Hackworth, the exhibition brings together a number of works from iconic series including 'Hell', 'The Chapman Family Collection' and 'One Day You Will No Longer Be Loved', alongside new and rarely seen works. The show presents an overview of the Chapmans' virulently pessimistic art and thought. Deploying humour and a perverse semiotics to undercut and satirise many of the unthinking beliefs that animate contemporary culture, the Chapmans' is amongst the most challenging of contemporary art practices.

Jake and Dinos Chapman, Unhappy Feet, 2010 at Arter
Jake and Dinos Chapman, Unhappy Feet, 2010 Fibreglass, plastic and mixed media in steel vitrine 216 x 171 x 171 cm © Jake and Dinos Chapman Courtesy of the artists and White Cube(detail)

The exhibition begins on the ground floor in spectacular fashion by uniting more works than have ever been shown together before from the Hell series, including the major piece, 'The Sum of All Evil'. Absurd, surreal and painstakingly detailed, the dioramas comprise of thousands of model Nazi soldiers engaged in scenes of orgiastic violence alongside other figures familiar from the Chapmans' visual universe, such as Hitler and Ronald McDonald. Since 2000 when the original 'Hell' work was completed (it subsequently was burnt in a fire in a London art storage facility), the series has been controversial, being serially misread both as profoundly engaged war art and as a disgraceful trivialization of violence. As the artists point out it takes a certain degree of hysteria and myopia to attach such ponderous meanings to the work itself. Two other large works from the series, 'Unhappy Feet' and 'Altered Towers', complete the floor.

Jake and Dinos Chapman at Arter
Exhibition view of 'In the Realm of the Senseless', Arter, 2017. Photo: exhibist

Arter's first floor amounts to a pastiche of the idea of retrospective shows with its centrepiece 'SHITROSPECTIVE' and the duo's first ever neon work, a new iteration of the brothers' first collaborative piece 'We Are Artists', made in 1991. Demonstrating the artists' stated desire to create work of 'zero cultural value' and their tactic of repeatedly recycling the same content, 'SHITROSPECTIVE' comprises of miniature versions of key works from their career, 'Fuckfaces', 'Sex', 'Übermensch' and 'Little Death Machine' – replicated in cardboard and mounted on pedestals. Known as one of the iconic works of the Chapmans, 'Insult to Injury' from the series of 'The Disasters of War' is hosted on the first floor of the exhibition. The show also includes a collection of archival works from 1971–2013, including some rare Chapman juvenilia.

Taking its cue from the Chapmans' recent show 'Come and See' at The Serpentine Gallery, London, the curation of the top floor of the exhibition takes aim at the idealised 'white cube' gallery space and elegant, well-mannered exhibitions. Resembling a show put together from a ransacked storage room the floor will be chaotic and over-stuffed, filled with myriad 2-D and sculptural works.

MOCAK acquires works by Gülin Hayat Topdemir and Guido Casaretto

on Thursday, 23 March 2017. Posted in ---2017--- , March

Related Article: Inci Eviner receives the 2017 Sharjah Biennial Prize


Gülin Hayat Topdemir, Bride
Gülin Hayat Topdemir, Bride, 2015, oil on canvas, 157 x 99,8 cm. Courtesy the artist and Zilberman Gallery

Gülin Hayat Topdemir’s work 'Bride' (2015) has been acquired by Museum of Contemporary Art in Kraków, Poland.

Gülin Hayat Topdemir’s paintings delve into the subconscious to narrate the dark side of human nature, which is also reflected in her choice of colors and technique. By using the technique of chiaroscuro, she masterfully constructs an atmosphere in which her stories unravel. In her recent body of work, the artist-model assumes different roles, suggesting alternative possibilities for the constructed self.

Gülin Hayat Topdemir (1976, Istanbul) lives and works in Istanbul. She completed her undergraduate and graduate degrees at Mimar Sinan University, Faculty of Fine Arts, Department of Painting. Her solo solo shows are: Salon Rouge (Zilberman Gallery, 2015), Black Box (Zilberman Gallery, 2013), Every Young Girl’s Dream? (Zilberman Gallery (previously as Cda-Projects), Istanbul, 2010), and Complexion (Zilberman Gallery (previously as Cda-Projects), Istanbul, 2008). Some of the group shows she participated in: Figure Out: Turkish Contemporary Art (Art Sawa, Dubai, 2012), Group Exhibition (Casa Dell’Arte, Bodrum, 2009; Istanbul, 2008), Kooperatif (Karşı Sanat, Istanbul, 2002) and Todays Artists Exhibition (Atatürk Cultural Center, Istanbul, 1997). Recipient of Nuri Iyem Painting Award-Selection Committee Special Price in 2007, her works are part of collection at 21C Museum (Kentucky, ABD) and private collections in Europe, Middle East and Turkey.

Guido Casaretto, Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture
Guido Casaretto, Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture, 2015, charcoal/resin sculpture, Measurement: 1: 50 x 64 x 31 cm; 2: 49 x 63,5 x 36 cm. Courtesy the artist and Zilberman Gallery

Guido Casaretto’s work 'Michael-4/ Roman Centurion texture David-3 / Street Vendor2 texture' (2015) has been acquired by Museum of Contemporary Art in Kraków, Poland.

Dealing with ways of perceiving nature and reproducing it with digital means, Casaretto focuses on the phenomenon of sensation. Engaged with electronic information, various materials and art-historical references, his works overlap the different sensations with regard to the physical quality of the material and the types of perception within the concept of art history.

The interaction triggered by the physical approach goes deep down into the multidimensional sensation through the materials used by the artist such as concrete, skin, soil and epoxy. The former works of Casaretto, comprised of realistic manifestation of nature created in digital environment, are reversed by these new series of works through the manual intervention of the artist to the machine production. The works define the uniqueness of the handmade and invite the viewers to experience the sensation.

Guido Casaretto (1981) lives and works in Istanbul. One of the founders of Sanatorium, some of his solo shows are: Synesthesia (Zilberman Gallery, 2015), Extrasystemic Correlations (Zilberman Gallery, 2012), Default (Sanatorium, Istanbul, 2011); and some of his group shows are: Urban Justice (CerModern, Ankara, 2015), Venice Biennial Italian Pavillion (Venice, 2011), and Teatro Comunale (Italy, 2000). His works are included in many important private collections in Europe and Middle East.

4th Istanbul Design Biennial Curator Announced

on Tuesday, 01 August 2017. Posted in ---2017--- , August

Related Article: Contemporary Istanbul Announces Gallery List 2017


The 4th Istanbul Design Biennial Curator Jan Boelen
Jan Boelen, Curator of the 4th Istanbul Design Biennial, Courtesy IKSV Istanbul


Jan Boelen has been appointed as the curator of the 4th Istanbul Design Biennial, to be held from 22 September to 4 November 2018.

Jan Boelen (b. 1967, Genk, Belgium) is artistic director of Z33 House for Contemporary Art in Hasselt, Belgium, and artistic director of atelier LUMA, an experimental laboratory for design in Arles, France. He also holds the position of the head of the Master department Social Design at Design Academy Eindhoven in the Netherlands.

Since the opening, Z33 House for Contemporary Art has been fashioning projects and exhibitions that encourage the visitor to look at everyday objects in a novel manner. It is a unique laboratory for experiment and innovation and a meeting place with cutting-edge exhibitions of contemporary art and design. With Z33 Research, design and art research studios established in 2013, Boelen is transforming Z33 from exhibition-based to a research-based institution. At the initiative of Z33 and the Province of Limburg, Manifesta 9 took place in Belgium in 2012. As part of his role at Z33, Boelen curated the 24th Biennial of Design in Ljubljana, Slovenia, in 2014.

Boelen also serves on various boards and committees including the advisory board of the V&A Museum of Design Dundee in the UK and Creative Industries Fund in the Netherlands. Boelen holds a degree in product design from the Media and Design Academy (now the LUCA School of Arts) in Genk, Belgium.

trans-ID exhibition by exhibist and Space Debris

on Monday, 07 August 2017. Posted in ---2017--- , August

Related Article: Artists Announced for the 15th Istanbul Biennial


trans-ID exhibition view at Surp Yerrortutyun Church, Istanbul
trans-ID exhibition view at Surp Yerrortutyun Church, Istanbul, 2017


Organised in the context of the 15th Istanbul Biennial titled a good neighbour, Seyhan Musaoğlu, founder of Space Debris and Anna Zizlsperger, founder of exhibist will present a diverse selection of contemporary art under the theme transnationalism/interculturalism & identity in an exhibition titled 'trans-ID', that will include sculpture, installation, drawing, photography, video works, sound art, and performances in an abandoned Armenian Church building located in the heart of Istanbul.
Including a significant amount of artists with a Turkish background, together with an array of artists from all around the world, the exhibition relates both to exhibist’s aim to be a platform for contemporary art in Turkey and Space Debris’ driving concept of connecting the Istanbul art scene with international artists for an innovative dialogue with a collective soul, challenging traditional boundaries. Set within the historical building of the Armenian church Surp Yerrortutyun in the heart of Istanbul, on Istiklal Street, the exhibition also references the century-old history of Istanbul as a platform for the exchange of different cultures and a transnationalism that preceded the 21st century.

Participating Artists: Murat Adash, Autumn Ahn, Nancy Atakan, Luna Ece Bal, Mehtap Baydu, Bashir Borlakov, Sinan Bökesoy, Melis Bursin, Şakir Gökçebağ, Allen Grubesic, Selin Kocagöncü, Servet Koçyiğit, Suat Öğüt, and Julie Upmeyer.

trans-ID 19 September – 24 October 2017
venue: Surp Yerrortutyun Church
Asmalı Mescit Mah. İstiklal Cd. ZNo: 142, Beyoğlu

Visiting Hours: Tuesday, Friday, Saturday, 11am - 6pm and by appointment (please email us at This email address is being protected from spambots. You need JavaScript enabled to view it. or This email address is being protected from spambots. You need JavaScript enabled to view it. for appointments)

Curators: Seyhan Musaoğlu and Anna Zizlsperger

trans-ID exhibition view at Surp Yerrortutyun Church, Istanbul, 2017
trans-ID exhibition view at Surp Yerrortutyun Church, Istanbul, 2017

Contemporary Istanbul Announces Gallery List 2017

on Tuesday, 08 August 2017. Posted in ---2017--- , August

Related Article: Sanatorium Gallery in Vienna


Contemporary Istanbul 2017


Contemporary Istanbul (CI) art fair announced the preliminary exhibitors list for the upcoming 12th edition of the fair. CI brings together leading contemporary art galleries from Turkey and around the world, giving a regional and international focus to the dynamic contemporary art scene that has developed in Istanbul in recent decades.

Participating galleries:


44A, Istanbul
55Bellechasse, Paris & Miami
Ab Anbar, Tahran
Ab Gallery, Seul
Acaf, Şangay
Alan Istanbul, İstanbul
Andakulova, Dubai
Anna Laudel Gallery, İstanbul
Archeus Post-modern, Londra
Aria Art Gallery, Floransa
Art On Istanbul, İstanbul
Bernheimer Contemporary, Berlin
Bozlu Art Project, İstanbul
C.A.M, İstanbul
C24, New York
Cep Gallery, İstanbul
Dastan's Basement, Tahran
Dix 9, Paris
Dirimart, İstanbul
Eastwards Prospectus, Bükreş
Flowers Gallery, Londra
Gaia Gallery, İstanbul
Galeri Miz, İstanbul
Galeri Nev, İstanbul
Galeria Continua, San Gimignano & Beijing
Galerist, İstanbul
Galeri̇ 77, İstanbul
Galeri Baraz, İstanbul
Galeri Binyil, İstanbul
Galeri Siyah Beyaz, Ankara
Gallery 1957, Akra
Gama Gallery, İstanbul
Gazelli Art House, Londra & Bakü
Heavenlymade, İzmir
Inda Gallery, Budapeşte
Isabel Croxatto, Santiago
JoanGaspar, Barselona
Karavil Contemporary, Londra
Krank Art Gallery, İstanbul
Kristen Hjellegjerde, Londra
Leila Heller, New York & Dubai
Licht Feld, Basel
Liquid Art System, Capri & İstanbul
Magic Beans, Berlin
Mark Hachem, Paris & Beyrut
Marlborough, New York
Maximilian William, Londra
Merkur, İstanbul
Mixer Gallery, İstanbul
N2 Gallery, Barselona
Nicodim Gallery, Bükreş & Los Angeles
NK Gallery, Anvers
Olcay Art, İstanbul
Öktem & Aykut, İstanbul
Parasite Gallery, Tel Aviv
Pg Art Gallery, İstanbul
Pi Artworks, İstanbul & Londra
Pilevneli Gallery, İstanbul
Piramid Sanat, İstanbul
Plan B, Cluj, Berlin
Project Artbeat, Ti̇blis
Red Art Galeri, İstanbul
Sanatorium, İstanbul
Shirin Gallery, Tahran & New York
Smac Gallery, Cape Town
Sophia Contemporary, Londra
Triangle Gallery, Tel Aviv
Victor Lope, Barselona
Victoria Miro, Londra
Vigo Gallery, Londra
Villa Del Arte, Barcelona
X-ist, İstanbul
Zilberman Gallery, İstanbul & Berlin

Ali Kazma at Jeu de Paume in Paris

on Tuesday, 08 August 2017. Posted in ---2017--- , August

Related Article: Cevdet Erek at the Pavilion of Turkey in Venice


Video work Safe
Safe, 2015, Resistance series, video, colour, sound, 3 min 18 s. Courtesy of the artist and Galeri Nev Istanbul. © Ali Kazma


Ali Kazma´s solo exhibition Subterranean is on view at Jeu de Paume in Paris from 17 October 2017 until 21 January 2018. Ali Kazma (b.1971, Istanbul) is a video artist whose works have been exhibited in biennials and art institutions worldwide. Having received his MA degree in 1998 from The New School in New York City, he returned to Istanbul in 2000 where he still resides.

Ali Kazmas art explores themes relating to the world of work, man’s control of his environment and his ability to transform his world. His videos raise fundamental questions relating to the meaning of human activity, the economy, production, and social organization. Curious, observant and keen to portray certain realities of the globalized worlds of commerce and industry, Ali Kazma has a profound awareness of his responsibility as an artist, who through the prolific production of images, is undeniably adding to the growing mass of existing visual accounts. His work emphasizes the necessity of resisting the standardization of values and leveling of differences.

Between 2006 and 2015, Ali Kazma has primarily developed video art, structured around two series, entitled Obstructions and Resistance. Of variable duration (between 5 and 17 minutes), his videos explore the world of industrial, artisanal and artistic production, constituting an immense archive of the contemporary world of work.

Often presented in the form of installations, Kazma’s videos strike the spectator by their intensity and rhythm: repetition, precision, the noise of the machines and the sounds generated by the tools, the concentration of their protagonists. Equally impressive is the skill with which the artist succeeds in eclipsing his own presence: the subject of the film seems completely unaware of the camera.

6th Thessaloniki Biennial

on Saturday, 02 September 2017. Posted in ---2017--- , October

Related Article: Daire Gallery reopens in Cihangir


Ahmet Elhan, Mapping, 2016
Ahmet Elhan, Mapping, 2016, courtesy of the artist and Zilberman Gallery


Running from 30 September 2017 to 14 January 2018, the main exhibition welcomes more than 75 artists from around the world. The title of this edition of the Thessaloniki Biennale is 'Imagined Homes', a concept that also stands as its general thematic framework, one which focuses on immigration issues as a starting point while simultaneously concentrating on the fluidity and constant redefinition of home as a concept. As a sign of support and solidarity, this edition chose to incorporate a segment of the 5th Canakkale Biennial, which was cancelled last year. That biennial had the similarly-titled theme of 'Homeland'. Halil Altındere, Ahmet Elhan and Reysi Kamhi from Turkey participate in the biennial.

15th Istanbul Biennial in Munich

on Tuesday, 16 January 2018. Posted in ---2018--- , January

Related Article: Artists from Turkey in Paris


15th Istanbul Biennial at Pinakothek der Moderne Munich
15th Istanbul Biennial at Pinakothek der Moderne Munich Photo: IKSV


The 15th Istanbul Biennial collaborates with Pinakothek der Moderne in Munich to bring 12 international artists together to question the notion of home and neighbourhood between 14 December 2017 and 29 April 2018. Entitled 'a good neighbour_on the move', the exhibition is curated by Elmgreen & Dragset, curators of the 15th Istanbul Biennial and Bernhart Schwenk, head of contemporary art at the Pinakothek der Moderne.

A continuation of the 15th Istanbul Biennial entitled 'a good neighbour', the exhibition 'a good neighbour_on the move' at the Pinakothek der Moderne can be seen as a dialogue with this year's biennial illustrating how a globalised world is also changing the self-understanding of public art institutions and their exhibitions.

The exhibition features 10 artists from the 15th Istanbul Biennial, which was held between 16 September and 12 November 2017, as well as CANAN, an established contemporary artist from Turkey and Vlassis Caniaris, considered to be one of the most renowned and influential Greek artists of his generation. Artworks by these 12 artists from across the world reflect their experiences of the consequences of global conflicts, social control, perspectives on gender roles and forms of coexistence.

Participating artists:

Burçak Bingöl, born in 1976 in Giresun, lives in Istanbul
Vlassis Caniaris, born in 1928 in Athens, died in 2011 in Athens
CANAN, born in 1970 in Istanbul, lives in Istanbul
Vajiko Chachkhiani, born in 1985 in Tbilisi, lives in Berlin
Andrea Joyce Heimer, born in 1981 in Great Falls, Montana, lives in Ferndale, Washington
Gözde İlkin, born in 1981 in Kütahya, lives in Istanbul
Mirak Jamal, born in 1979 in Teheran, lives in Berlin
Mahmoud Khaled, born in 1982 in Alexandria, lives in Trondheim
Victor Leguy, born in 1979 in São Paulo, lives in São Paulo
Olaf Metzel, born in 1952 in Berlin, lives in Munich
Erkan Özgen, born in 1971 in Mardin, lives in Diyarbakir
Stephen G. Rhodes, born in 1977 in Houston, Texas, lives in Berlin

15th Istanbul Biennial at Pinakothek der Moderne Munich
15th Istanbul Biennial at Pinakothek der Moderne Munich Photo: IKSV

Öktem & Aykut Gallery moves to new location

on Monday, 05 March 2018. Posted in ---2018--- , March

Related Article: Istanbul Modern Moves to Temporary Location



After running their gallery for almost four years at Portakal Sokak 2 in Galata, directors Tankut Aykut and Doğa Öktem decided to relocate their gallery Öktem & Aykut to Istanbul's Şişhane district at Aybastı Sokak 3 in January 2018. The new location was inaugurated with Sinan Logie’s exhibition titled 'The Elementary Particles'.

Öktem & Aykut Gallery moves to new location
Sinan Logie, The Elementary Particles, 2018, installation view at Öktem & Aykut Gallery

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